UK
Hardback
(1997) Century
ISBN 0-7126-7724-0
UK Paperback
(1998) Arrow
ISBN 0-09-922742-8
UK Large Print
(1998) Ulverscroft
Large Print Books
ISBN 0-7089-3926-0
UK Audio
contract with Recorded Books for an unabridged reading by Diana
Bishop' |
US Hardback
(1998) Mysterious Press
ISBN 0-89296-674-2
OUT OF PRINT
US Paperback
New edition St Martin’s Griffin
May 2009
ISBN 13-978-0-312-55616-7
US Audio
Recorded Books version, by Diana Bishop,
ISBN 1-841-9712-78 |
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Hear Lindsey Read
“Oh, Antonia Caenis...Welcome to
freedom - And welcome to me!”
chosen by reader, Helene Ilg
Plot Summary
A tantalising half-sentence in
Suetonius' biography says
that after his wife died, Vespasian 'took up again with Caenis, his former mistress and
one of Antonia's freedwomen and secretaries, who remained his wife in all but name even
when he became Emperor'.
To a would-be romantic novelist struggling to find an original
setting, this was the archetypal secretary-to-boardroom plot -- a true story, with a
decent hero, not to mention a heroine who must have had a sterling character. The
political events familiar from 'I, Claudius' are viewed from a close vantage point, but
without the traditional male, aristocratic bias which some people even today try to impose
on all things classical. A love story in which young lovers come together a second time in
their middle age would be highly unusual at any period.
Even though people who read this novel thought it my best, the
Roman setting deterred publishers for ten years. When it did finally appear in the UK,
many readers enjoyed it even more than the Falco series. The script was originally turned
down in America -- causing a unique protest from US readers who mobilised on the Internet
and forced a rethink; this may be a 'first'!
It was The Course of Honour that gave me the idea for
Falco. Most obviously, researching the historical background to Rome -- so vibrant and so
notoriously dangerous -- inspired his working milieu. In fact, though, professional writers are often
led by sheer desperation. I had given my all to Antonia Caenis, with whom I closely
identified: a single woman in a society geared to families, an intelligent woman working
in a hostile male environment, a sceptical woman viewing the idiocies of politics through
helping to administer them. When The Course of Honour went to the back of the
wardrobe, I was broke - but I had found my courage as an author. Without that, The
Silver Pigs would never have been written. Without Falco, my story of Caenis would not
have seen the light of day
The book carries no formal dedication, but it is, in Veronica's
words, for all the girls in all the palaces who sleep on flea-ridden pallets on stone
ledges in cold cells, and who live by the hope that one day they will rise to a better
place. They will know who I mean.
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